This issue features the work of Dominic Boreham and his pioneering use of the plotter. Read here
7pm in the UK – 2pm in NYC, via Zoom
Join me for a special on-line session with 3 pioneers of computer and computational art – precursors of today’s AI & Generative Art, all of whom have a connection to the Slade School of Art and Leicester Polytechnic in the early to late 1970s.
Ernest Edmonds will describe his pioneering work with Stroud Cornock at Leicester Polytechnic, the Invention of Problems events in 1970-71, his friendship with Edward Ihnatowicz, the relationship with the Slade and the formation of the Human Computer Interface Research Unit. Stephen Bell, one of the Slade students who continued his research with Ernest, will also talk about Dominic Boreham another student who went on to the HCIRU. Paul Brown, another student at the Slade and later a Research Fellow there, will talk about his friendship with Harold Cohen and Chris Briscoe and discuss his own work with AI and A-life.
I am super thrilled to be joining two dynamic creators/editors – Jess Britton and Johnny Dean Mann on their digital art magazine The Tickle. I am writing a monthly column – starting with Issue No.80, about the history of this field – each month a new topic. I’m looking forward to covering some historical subjects that still have relevance in the art world today, especially with reference to technology, society and early digital art. First up is Stroud Cornock and Ernest Edmonds with a work from 1970!
This beautifully-illustrated book about award winning digital and systems artist Ernest Edmonds, covers his career from 1960 to present. The Introduction includes a transcription of a ‘Conversation’ between Ernest and I that took place at the Paul Mellon Centre last year – hit the VIDEOS tab above to see a recording on YouTube of this lecture and conversation.
What if we could adjust to new creative ways of doing things, to make and experience art to keep it relevant during times of Lockdown? Use of digital technologies facilitates an art made for networks and is a way for people to have a connection through art across the globe when museums and galleries are unable to open to the public. Read my article published today in Studio International.
See also Colour Computation, an article I wrote in 2013, about artist Ernest Edmonds, featured here:
An exhibition of historical and contemporary digital art and a programme of events will be at the RCA from 12-17 July, travelling to Leicester from 22 July. I will be presenting a paper at the symposium on the evening of Tuesday 16 July at the RCA, do come along and hear about the origins of the Computer Arts Society and the continuing legacy of the EVENT ONE show which featured artists such as Gustav Metzger, Alan Sutcliffe and many others.
Read my review in Studio International of the new display of computer art at the Victoria & Albert Museum London – Chance and Control: Art in the age of Computers and learn of the remarkable diversity of the V&A’s collection and how it has grown from early beginnings in just ten years. Among many things of interest here are three fabulous works by Harold Cohen from his early, mid and later period. Exhibition on now until 18 November 2018.
I feel privileged to have known the ground-breaking artist Gustav Metzger
who passed away a couple of weeks ago. He was a very early member of the Computer Arts Society and the first editor of our journal PAGE from 1969.
His links with the early world of British computer arts is discussed in my article published today on the BCS
Just a reminder that my book – A Computer in the Art Room, The Origins of British Computer Arts 1950-1980 is still available to purchase from this website (it seems to be prohibitively expensive on Amazon for some reason) – click the SHOP tab above.