Networked art in Lockdown: how can we be creative in new ways?

What if we could adjust to new creative ways of doing things, to make and experience art to keep it relevant during times of Lockdown? Use of digital technologies facilitates an art made for networks and is a way for people to have a connection through art across the globe when museums and galleries are unable to open to the public. Read my article published today in Studio International.

See also Colour Computation, an article I wrote in 2013, about artist Ernest Edmonds, featured here:

Ernest Edmonds, H Space, 2020. Distributed Augmented Reality interactive installation. Sydney, communicating with Guangzhou [Photo: Ernest Edmonds]

Review of the Barbican’s new AI: More than Human show for SI

teamLab’s immersive, interactive digital artworkWhat a Loving and Beautiful World

Very soon, artificial intelligence (AI) will probably be present in all aspects of our lives. The Barbican’s new exhibition (till 26 August) attempts to address the question where do we end and where does it begin? Read my review just published in Studio International.