Congratulations Emily Allchurch

Emily Allchurch, Albert Square, Manchester (after Valette), 2015. Collection of Manchester Art Gallery ? Emily Allchurch
Emily Allchurch, Albert Square, Manchester (after Valette), 2015. Collection of Manchester Art Gallery ? Emily Allchurch

Congratulations to Emily Allchurch on her newly-completed commission for Manchester Art Gallery. (Emily was a British Computer Society-featured artist of the month in 2013) This latest work references a painting from the Gallery’s collection by French Impressionist Adolphe Valette, who lived and taught in Manchester, influencing a generation of artists in the North, including LS Lowry. Albert Square, Manchester (after Valette), seen here, was crowd-funded through the Art Fund’s programme Art Happens. Typically of Emily the composition features many subtle details of the goings-on in this city as well as incorporating suggestions submitted to the artist via twitter. See the exhibition in Manchester 13 March – 7 June, or later in Nottingham

Congratulations to winners of the Lumen Prize

Sally Sheinman, number 215 My continued inability to understand most of the rest of the human race! inspired by Keith H On Lin
Sally Sheinman, What Makes You, You? number 215 My continued inability to understand most of the rest of the human race! inspired by Keith H On Lin

Congratulations to 2014 Lumen Art Prize winners Andy Lomas (Gold award for Cellular Forms) and Sally Sheinman (Founders Prize for What Makes You, You?), both outstanding artists who featured in my BCS column last year.  The Prize is a major international competition with 800 submissions from 45 countries.  The vast array of different styles and approaches which this prize attracts demonstrates the vibrancy of contemporary technological art.  Exhibitions will be taking place around the globe this year, check it out.

Auto-Creative Art

Gustav Metzger, Liquid Crystal Environment, 1965/2005, exhibition view. Kettles Yard, University of Cambridge photo: Paul Allitt
Gustav Metzger, Liquid Crystal Environment, 1965/2005, exhibition view. Kettles Yard, University of Cambridge, photo: Paul Allitt

On view last month in Cambridge was Gustav Metzger’s Auto-Creative art, a variety of materials and methods demonstrative of his long interest in kinetic art, particularly movement and random activity. His 1964 statement “At a certain point the work takes over, is in activity beyond the detailed control of the artist, reaches a power, grace, momentum, transcendence” is apt for an installation which has both a hypnotic visual and a psychedelic delivery.  Read the full review and learn about his connection to the Computer Arts Society here.

Antony Gormley uses the iPad

Art Everywhere 2014 –

Anthony Gormley, Feeling Material, courtesy of Art Everywhere 2014
Antony Gormley, Feeling Material, courtesy of Art Everywhere 2014

the people who put posters in public places around city centres of famous art works (voted for by the public), have commissioned Antony Gormley to produce this drawing.  Created by the artist using the stylus in one continuous motion on an iPad, Gormley says, “I’ve never drawn on an iPad before and was thinking should I draw on a blackened piece of glass? Then I thought this is really stupid, we’ve got this extraordinary facility that everybody knows about [..] so why don’t I give it a try?”

I think the end result is really quite fun. Only time will tell if this marks a new direction for this veteran of the British art establishment. Antony Gormley tells me that for several years he’s been using the digital as tools – all his sculptures start ‘life’ in the computer. 3D scans of his body facilitates manipulation of forms digitally, giving countless permutations and allowing valuable feedback. He also uses 3D printers. A new way of approaching the maquette?

You can see the work, which also consists of the animation of its creation, on digital screens nationwide including Piccadilly Circus & Manchester’s Trafford Centre, supported by the The Art Fund. Downloads and limited edition prints are available.

Digital Revolutions

Usman Haque, Assemblance, a 3D interactive light field, 2014.  Image courtesy of Umbrellium, reproduced with permission.
Usman Haque, Assemblance, a 3D interactive light field, 2014. Currently on view at the Barbican. Image courtesy of Umbrellium, reproduced with permission.

An ambitious exhibition of digital art and design opens this month at the Barbican Centre – Digital Revolution, featuring several works specially commissioned for the show – including our featured BCS image this month by Usman Haque, and much else besides to surprise and delight followers of the digital medium. Read all about it here.

Coding Conundrums

Andy Lomas, Cellular Form 14_0017_0011, 2014
Andy Lomas, Cellular Form 14_0017_0011, 2014

Andy Lomas is a self-confessed code junky, saying,  I write it for my own pleasure.  His Morphogenetic Creations on view earlier this year at the Los Angeles Center for Digital Art, has just been awarded one of the best artworks at the Artificial Intelligence and the Simulation of Behaviour (AISB) conference recently held in London.  This month at the BCS he shares with us this amazing image and his coding vision.

The Final Frontier

Anna Hill, Stardust, 2014 Copyright the artist, reproduced with permission
Anna Hill, Stardust, 2014. Copyright the artist, reproduced with permission

This month we are considering a truly extraordinary use of the digital.  Artist and creative entrepreneur Anna Hill is exploring how immersive art can communicate the human experience of space travel and, in her words, bring space down to earth.  Read all about her unique approach in our BCS feature here:http://www.bcs.org/content/conWebDoc/52588

Digital Opera

Martin Rieser and Andrew Hugill, still from Secret Garden, Opera/Ballet, iPad screen, 2013.  Copyright the artists, reproduced with permission.
Martin Rieser and Andrew Hugill, still from Secret Garden, Opera/Ballet, iPad screen, 2013. Copyright the artists, reproduced with permission.

Digital Opera is emerging as a new art form and our BCS image this month is a still fromSecret Garden, the world’s first opera and ballet created for the iPad by media artist Professor Martin Rieser from his original poems, set to music by composer Professor Andrew Hugill.  It aims to recreate a contemporary interactive version of the Eden myth in an urban environment through a virtual reality amalgam of animation, poetry and sound.  Full article here: http://www.bcs.org/content/conWebDoc/52341

Remembering Alan Sutcliffe (1930-2014)

Alan SutcliffeI was saddened to hear of the passing of Alan Sutcliffe at the end of February; he was a great pioneer of computer arts, including music and graphics. Alan was a big source of inspiration and support to me when writing A Computer in the Art Room and I feel proud that we have this and White Heat Cold Logic to stand as a legacy to at least one aspect of his creative life. Here he is in 2008 at the launch of A Computer in the Art Room, reminiscing with Stroud Cornock, watched by Jeni Bougourd and Gustav Metzger.  See my obit for the BCS here: http://www.bcs.org/content/conWebDoc/52263.

Going with the Flow

James Faure Walker, Another Dream of Summer, 80 x 109 cms, archival inkjet print, 2013.  Copyright the artist, reproduced with permission.
James Faure Walker, Another Dream of Summer, 80 x 109 cms, archival inkjet print, 2013. Copyright the artist, reproduced with permission.

James Faure Walker’s art is fundamentally about painting; the act of applying paint, whether it be digital or physical, to a surface.  The pictorial elements of line, form, space and most of all colour work together to create an art that is appealing to the eye, yet intrigues and resonates with the viewer, staying with us long after we look away.  Our featured image this month for the BCS is no exception, read the full article here.